Free Images
Sunday, September 09, 2007
Camera Basic Accessories
Thursday, September 06, 2007
Interior Photography (Photographing Bedroom)
Photographing Bedrooms - The bedrooms are normally fairly straightforward and present few problems. Depending on the size of the property, Normally take photos of just the master bedroom, or the master and one other. The agents can only get so many images in their window, on the web and in their promotional literature.They would say that the bedroom is one of the most important aspects of any property; after all, it is the first thing that you see everyday when you wake up and it is where most people spend about a third of their life. It is also one of the main images a person or couple will look at when deciding to view a property so making it look appealing and inviting is important.

Is it bright, south facing and gets a lot of sunshine?
Does it have big bright windows?
Does it have an en-suite bathroom you could incorporate into the shot?
How big is the bed?
Does it have a walk-in wardrobe?
What are the views like?
What is the lighting like?
Would a stitched shot help here?
Does it have a terrace or any other interesting features?
Take a good look before you set up the lights etc., and if need be, take 2 or 3 shots from different angles, it is better to be safe than sorry.

If the main bedroom happens to be quite small, try the method of bounced flash , you should have enough power to cope.
Photographing Bedrooms - One tip for a different kind of shot is this;
Imagine you live in the house and wake up in the bed, what do you see, what is the view from the actual bed? If it is nice, set the camera up on the tripod, and on the center of the bed itself in front of or in place of the pillows. Use a self timer function either on the camera on via a cable release to take the shot.
Set up the lights accordingly to best light the view. You may have to place on light either side of the bed, facing where the camera is facing. It will probably take a few shots to get right but it should look great and not many people think of it.
Are there any special features in the bedrooms?
Fireplace?
En-suite bathroom?
Antique furniture?
Chandelier?
Terrace?
Walk-in wardrobe?
Basically anything that shows off the room and its potential, photograph it. Don't be afraid to get in close and isolate any interesting features.
Wednesday, September 05, 2007
New Bread Design
Tuesday, September 04, 2007
Tips for Portrait Photography & Posing
When it comes to portrait digital photography and photography poses or shall we say, posing for portrait photography, there are many differentials and some of them aren’t obvious. It’s true that while your active organising portrait photography posing with your subject that many new posing ideas will come to mind but you will still need to know the rudimentary basics. Any studio posing will require posing techniques which will vary from posing the female model, baby portrait poses, family portrait poses, wedding photography poses, and even senior portrait poses. They all vary in their portrait pose requirements.
Photography poses are very strenuous on the model or subject as well and there is usually a photography posing guide or a model posing guide that can help your understanding with these areas. Fatigue and restlessness must be considered at long shoots for instance while models are posing for portraits. I recently saw an article that was a guide to posing the female body; however it was too focussed on the one aspect and left little room for photography posing of other types.
The rest of this article offers some posing tips for a photography pose in general and is compiled to stimulate your interest in portrait posing because once you have the basics, your portrait posing skills will compound with each new sitting. To photograph a pose and make it look natural and interesting is what your goal should be with posing. Remember not to treat portrait poses lightly and you will get much better at this skill in a short space of time.
Portrait photography is also a photography business that can be initiated from home. Often only requiring modest photography equipment , you’ll only need several pieces of cloth (backdrop), a camera, some good lenses, two or maybe three lights and let’s not forget the tripod. In addition to the equipment being modest by any ones standards, it is all reasonably lightweight and easy to handle should you need to work outdoors.
The most important rule to remember is that it is a portrait, not necessarily of just the head, but the person, or group is the focal part of the picture, so it is important to take the photograph without any extraneous clutter. Because you will always be dealing with people with whom you have to maintain control, not as a tyrant, but you have to guide your subjects. Therefore a certain degree of self-confidence is necessary. If you are taking a formal portrait of a group of children it is necessary for you as the photographer to ensure that none of the children are making faces.
This brings us to posing. Many photographers underate this essential requirement because posing will make or break your portraiture. There is much value in learning to guide people through various poses. Posing has an ongoing education requirement depending on age, gender, culture, promotion, product, and emotion needed for each piece of art etc. It is such an important and extensive subject that I’ve provided you with this downloadable guide which I think you should take seriously - Make Camera Friendly Posing Happen!
When you have signed up a person for a photographic portrait take a few extra shots, and offer them as wallet or purse photographs at a smaller fee. You already have started the business, capitalise on it, few people can resist the feeling that they have got “something for nothing”. This may seem a waste of time; they can be important additives for your portfolio.
Portrait photography has undergone many changes of style since the introduction of the formal portrait. The modern emphasis is to bring out each individual’s personality. Top glamour models are paid enormous fees to express a distinctive personality, but to bring that aspect forward in your subject is as much about people skills as camera techniques. It is imperative to be able to create a rapport with your subject to bring out the expressions that display their personality. Anyone over the age of two can pose for the camera, with a vacuous expression, but the secret of saleable portrait photography is capturing more than the pose. To be a really good portrait photographer you have to be able to connect with people, if you have not got these skills, then it is better that you concentrate on some other type of photography-perhaps underwater photography if you want to be more active and adventurous
If you want to flatter your subject, you’ll probably want to minimize their nose. Stand about twelve feet from your subject, so that their nose isn’t significantly closer to you than the rest of the face. However, at such a large distance from the camera, if you want to fill the frame with just your subject’s face, then you need a high magnification lens. Typical “portrait” lenses are therefore between 90 and 135 millimeters long when you are using a 35mm camera.
Whilst a lot of portrait photography is completed inside a studio, the prospect of natural light can be very flattering. This can be achieved inside by positioning your subject in front of a window. Environmental portraiture presents different challenges. These portraits are best enlarged, otherwise the subject’s face gets lost in the background. Slow film and the use of a tripod; help to keep your images sharp. There are a number of professional photographers who argue that a portrait is not shown to it’s best advantage when it is clinically sharp and they use a filter, but with modern digital cameras, you can make an adjustment in Photoshop at a later time. However if you are using a digital camera you will achieve the best results with a camera with a true single lens reflex.
Natural light or umbrella lighting can achieve soft lighting; both of these reduce shadows and show the face in a “better more attractive light”. However there is another type of portrait photography, which is high impact photography. This is a very dramatic type of portrait photography, which uses very strong light with a high contrast of tonal color. This technique is more effective indoors, as it is achieved by controlling light, and there is too much light to control out of doors. Position your subject at different angles to the light, from one side, or from underneath. This lengthens the shadows, rather than muting them, and gives a distinctly dramatic effect. You can achieve this in varying degrees, but if the light source is placed at 90 degrees to the face, it will throw the whole of the opposite side of the face in shadow. If you are using a digital camera you can also manipulate the contrast later to achieve a more dramatic effect.
Saturday, September 01, 2007
Canon EOS-1 Ds Mark 3

- CANON USA's NEW LINE-LEADING, 21.1-MEGAPIXEL, FULL-FRAME EOS-1Ds MARK III DIGITAL SLR KEEPS CANON AT THE TOP OF THE PRO PHOTO CLASS
- Responsive, Ultra-High Resolution, Ultra-Low Noise CMOS Sensor and Dual "DIGIC III" Image Processors Power the EOS-1Ds Mark III Into the Realm of Medium-Format Digital Cameras, at a Fraction of the Cost – Fast, New Ultra Wide-Angle 14mm Lens Is a Picture Perfect Match for the Camera's Full Frame Sensor –
- LAKE SUCCESS, N.Y., August 20, 2007 – The new 21.1-megapixel, full-frame Canon EOS-1Ds Mark III Digital SLR* camera brings the power of Canon U.S.A., Inc.'s professional imaging excellence and innovation into sharper focus than ever before. While Canon's EOS-1D series has dominated the 35mm-based professional Digital SLR market for the past six years, the new EOS-1Ds Mark III Digital SLR takes Canon's pro-digital prowess into and the realm of high-fashion and commercial photo studios where bulkier, medium-format cameras previously reigned.
- The Canon EOS-1Ds Mark III's compact, lighter-weight magnesium alloy body is rugged and versatile enough to take out of the studio and into the field. The camera's fast, five-frame-per-second (fps) shooting rate for bursts of up to 56 Large/Fine (21-megapixel) JPEGS or 12 RAW images is unmatched in its class, making it the ideal instrument for capturing the fluid motion and free-flowing lines of location-based fashion photography as well as a wide range of other professional photographic applications.
- The Canon EOS-1Ds Mark III professional digital single lens reflex camera is scheduled to begin shipping in November and will have an estimated selling price of $7,999 (the same price as its predecessor, the 16.7 megapixel EOS-1Ds Mark II).
- "The EOS-1Ds Mark III Digital SLR camera is a prime example of the EOS philosophy and Canon's ongoing commitment to providing photo professionals with the tools they need to create the finest quality images" stated Yuichi Ishizuka, senior vice president and general manager Consumer Imaging Group Canon U.S.A. "To continue our legacy, we must provide not only the right professional tools, but also the finest photo tools for the job and do so consistently, whether we are presenting this exemplary EOS-1Ds Mark III SLR camera, or any one of the many fine specialty lenses, flashes and accessories that populate the EOS professional photo system."
- Revolutionary Resolution
Developed and manufactured by Canon specifically for the EOS-1Ds Mark III Digital SLR, the camera's new full-size 36 x 24 mm CMOS image sensor offers the highest resolution in its class, and is comprised of approximately 21.1 million effective pixels (5632 x 3750) set at a pitch of 6.4 microns. The user can select any one of six recording formats ranging from 21.0 megapixels in Large JPEG or RAW format, 16.6 or 11.0 megapixels in the two medium JPEG sizes, or 5.2 megapixels in the small JPEG or "sRAW" formats. In any JPEG format, the user can set one of ten compression rates for each image size. In sRAW mode, the number of pixels is reduced to one-fourth that of a standard RAW image and the file size is cut in half, while retaining all of the flexibility and creative possibilities associated with full-size, traditional RAW images.
- Dual "DIGIC III" Image Processors
Fulfilling the ultra-low noise, ultra-high image quality promise of the EOS-1Ds Mark III Digital SLR camera requires handling the enormous signal processing requirements of the camera's 21-megapixel resolution and top continuous shooting speed of five fps. To accomplish this, Canon has incorporated two identical DIGIC III imaging engines into the camera for parallel (and hence, faster) signal processing. The CMOS sensor reads out to the dual "DIGIC III" processors simultaneously in eight channels. DIGIC III is the next generation of Canon's proprietary image processing engine. This technology ensures the fine details and natural colours of images are optimally recorded and, as an added bonus, is responsible for the EOS-1Ds Mark III SLR's high-speed performance, faster signal processing and more efficient energy consumption. - Adding to the improved virtuosity of the images captured by the EOS-1Ds Mark III Digital SLR camera is the camera's 14-bit Analog-to-Digital (A/D) conversion process. Able to recognize 16,384 colours per channel (four times the number of colours recognized by the EOS-1Ds Mark II Digital SLR camera's 12-bit conversion capability), this line-leading model is able to produce images with finer and more accurate gradations of tones and colours. Additionally, given the significantly larger image file sizes created by the EOS-1Ds Mark III Digital SLR camera, Canon has provided compatibility with the new Ultra Direct Memory Access (UDMA) compact flash memory card specification, which enables ultra-high-speed data transfer to the card. Utilizing a UDMA compliant card doubles the data transfer speed compared to a conventional memory card, putting the new EOS-1Ds Mark III on par with the 10.1-megapixel EOS-1D Mark III camera, even though the pixel count of this new model is more than twice as large.
- Advanced Autofocus Technology
The EOS-1Ds Mark III autofocus system - first introduced earlier this year on the EOS-1D Mark III Digital SLR - has 45 AF points including 19 high-precision cross-type points and 26 Assist AF points. This new array allows the 19 cross-type points to be divided into groups of nine inner and nine outer focusing points plus a centre point, which makes picking an individual focusing point much faster and easier than going through all 45. During manual AF point selection, the AF point area is expandable in two stages via Custom Function control. - At the request of sports and wildlife photographers, a new micro-adjustment feature allows for very fine changes in the AF point of focus for each lens type in use, along with the addition of adjustable focus-tracking sensitivity as another sophisticated new AF feature. Other new components in the AF system include the reconfigured concave submirror and the secondary image formation lens, both products of Canon's vast expertise in optical engineering. Finally, the low-light sensitivity of the new AF sensor has been doubled to EV-1 for superior performance, compared with earlier EOS digital SLRs.
- Live View
One of the dynamic innovations incorporated into new EOS Digital SLRs - and optimized for professional shooters on the EOS-1Ds Mark III Digital SLR - is Canon's Live View shooting mode which provides photographers with an expanded and exceedingly convenient set of shooting options beyond the conventional SLR through-the-lens viewing. Framing and shooting subjects using the camera's LCD screen affords the shooter the same 100 percent field of view provided by the optical viewfinder - this is a full-frame digital SLR after all - but Live View has the added advantage of allowing the image to be more easily composed on the camera's bright and brilliant 230,000-pixel, three-inch LED screen. Additionally, the LCD-viewed image can be magnified by five or ten times in order to ensure that the shot is optimally focused. - Live View is at its best during tripod shooting, particularly for close-up photography where precise focusing is imperative. As a side benefit, the Live View shooting mode helps to reduce vibration by lifting the reflex mirror out of the optical path well in advance of the exposure, improving image quality at slow shutter speeds. Additionally, as the release time lag is miniscule, even instantaneous movements like a bird taking flight can be readily captured. The shutter charge sound can be delayed and made quieter than normal in Live View mode to avoid spooking wildlife or disturbing people nearby with unwanted camera sounds.
- If a user is going to be several feet away from the camera, such as in some studio settings, the EOS-1Ds Mark III can be connected by cable to a computer via its USB 2.0 High-Speed interface. The camera can also be operated remotely at distances up to 492 feet with the assistance of the optional Wireless File Transmitter WFT-E2A which allows users to view images directly off the camera's sensor in virtually real-time, with the ability to adjust many camera settings quickly and easily.
- Viewing Display
Easy to read, even in outdoor conditions such as bright sunlight, the EOS-1Ds Mark III Digital SLR camera features a three-inch, 230,000-pixel wide angle LCD display screen. The TFT colour liquid-crystal monitor features seven user-settable brightness levels and a wide, 140-degree viewing angle, both horizontally and vertically. An added advantage of the large, three-inch display size is the ability to utilize a larger font size for text, making it easier to read setting and menu options on the screen. - Canon extends its "ease-of-reading" policy to the EOS-1Ds Mark III's viewfinder as well. Bright and clear with zero distortion and a 100 percent picture coverage and a magnification factor of .75x, it is the finest viewfinder ever placed in an EOS camera.
- EOS Integrated Cleaning System
Another first for a professional digital SLR of this caliber is Canon's complete dust management solution, called the EOS Integrated Cleaning System. The new CMOS image sensor is designed with a lightweight infrared absorption glass cover that vibrates for 3.5 seconds when the camera is turned on or off. This brief delay can be cancelled immediately upon start-up by pressing the shutter button half way. Dust that has been shaken or blown loose of the sensor is trapped by adhesive surfaces surrounding the sensor unit housing, preventing the problematic particles from reattaching themselves to the filter when the camera moves. - Like its sibling, the EOS-1D Mark III, the shutter of the EOS-1Ds Mark III Digital SLR camera carries a durability rating of 300,000 cycles and, though it generates less dust, it still charges itself three times during the manual cleaning process so that dust is shaken off the shutter curtains as well. This cleaning system uses very little battery power and can be turned off in the custom function menu.
- The second part of the dust management system is a software solution that maps the location of any spots that may remain on the sensor. The mapped information is saved as Dust Delete Data and attached to the image file. Subsequently, the offending dust information is subtracted from the final image during post processing, using the supplied Digital Photo Professional software.
- Rock Solid Reliability
The entire body of the EOS-1Ds Mark III, including its internal chassis and mirror box, is made of an advanced magnesium alloy for exceptional strength and rigidity. Comprehensive weatherproofing at 76 locations on the camera body ensures superior reliability, even when shooting in harsh environments. Together with the 300,000-cycle shutter durability rating, these features result in a camera that, even though it is six ounces lighter than the EOS-1Ds Mark II, can truly withstand even the most severe shooting conditions. - Improved Software
Among the most valuable features of the EOS-1Ds Mark III Digital SLR is its compatibility with Canon's new Picture Style Editor 1.0 software. With PSE, photographers can personalize the look of their photographs by inputting their own preferred image processing parameters, including custom tone curves. The EOS-1Ds Mark III Digital SLR also ships with the latest versions of Canon's powerful software applications, including Digital Photo Professional 3.2 and EOS Utility 2.2, which support the camera's Remote Live View and Dust Delete Data functions, as well as incorporating a broad range of additional improvements designed to improve image quality and speed up workflow. Particularly noteworthy in DPP 3.2 is a new Lens Aberration Correction Function that corrects various image defects such as chromatic aberration, colour blur, vignetting and distortion. Initially, the Lens Aberration Correction Function will support images captured by the EOS-1Ds Mark III and 11 other EOS Digital SLRs using any of 29 individual EF and EF-S lenses. Also included are ZoomBrowser EX 6.0 and ImageBrowser 6.0 for easy browsing, viewing, printing and archiving with compatible computer operating systems, including Microsoft Windows Vista and Windows XP, as well as Mac OS X.







